HOT ! Armchair in Hardwood and Bouclé by John Graz, 1950s - Lot 817A

Description

Designed in the 1950s, this armchair reflects the disciplined modernist sensibility associated with John Graz, a Swiss-born artist and designer who became an important figure in the development of early modern design in Brazil. Active across architecture, interior design, and decorative arts, Graz contributed to the introduction of modernist principles in Brazilian domestic interiors during the first half of the twentieth century. His furniture designs often emphasized clarity of structure and restrained ornament, aligning with the broader evolution of Brazilian modernism toward refined material expression.

The armchair is defined by a compact, low-slung profile structured around a rectilinear hardwood frame. The proportions emphasize horizontality, with a broad seat supported by solid wooden rails and legs that establish a stable architectural base. The backrest is gently inclined, creating a relaxed seating posture while maintaining the geometric clarity of the design. This subtle angling introduces a sense of tension within the otherwise strict lines of the frame, balancing comfort with structural discipline.

Constructed in Brazilian hardwood, the frame displays the dense grain and tonal depth characteristic of native tropical species used in mid-century Brazilian furniture production. The wood surfaces have been carefully refinished, revealing the natural figure of the material while preserving the clarity of the chair’s structural lines. The seat and backrest have been newly upholstered in bouclé, whose textured surface introduces a tactile contrast to the smooth wood. The soft, looped textile softens the chair’s geometric form while reinforcing its inviting character.

Function is integrated directly into the design. The low seat height and angled backrest create a relaxed seating position suited to informal living spaces, while the compact footprint allows the chair to occupy a variety of interior arrangements without dominating the room. The balance between structural clarity and ergonomic comfort reflects the broader modernist interest in furniture that is both rational in construction and responsive to everyday use.

The chair originates from a private residence and has undergone careful restoration, including refinishing of the hardwood frame and reupholstery of the seating surfaces. The structure remains stable and well preserved, with finishes consistent with respectful conservation.